Contours is a collection of 80 Presets for Repro-5 by U-HE. It consists of mainly Pads with a few FX, Keys and leads also included to provide an atmospheric collection. Good use is made of Aftertouch and the Modulation Wheel to add to the expressive qualities of each preset. Repro-5 is an superb emulation of the legendary Prophet 5 Synthesizer available with the Repro Collection.
Contours is available for the intro price of just $14.99 for the next few weeks.
This video demonstrates a few of the Sounds included:
Kontakt Sequencer Collection features three 12-Pattern Sequencers with different approaches to MIDI sequencing, it also includes the regular versions of Procession and Chordian too, which were developed for the Augment Group buy which still have value as they can be automated by the DAW. The collection costs $29.99.
Chordian is a Midi Sequencer designed to work with the Kontakt 5 Midi output. It is a variation on Procession but with more of an emphasis on stacking pitches and lacks the CC implementation.
Chordian dispenses with 3 of Processions Trigger Sequencers but keeps the pitch Sequencers so that all 4 Sequences are played via a global trigger sequencer. The idea is that in Simple Mode you can easily line up all sequencers to see what is playing across the steps and it is therefore much easier to build Chord type sequences. Polyrhythmic operation is still possible however when Simple mode is switched off, except that it is just the pitches that are Polyrhythmic.
It still keeps most of the features from Procession such as the Scale Remapper, individual Length%, Velocity%, tuning capabilities, the file Browser and the Randomizers. It can even load Procession presets using the ‘A’ sequence for triggering, and on the other side Chordian presets can also be loaded into Procession.
Chordian requires the full version of Kontakt 5 and is free to anyone with an Homegrown Sounds account.
Reanimator is an advanced dual sequencer which re-sequences Loop Slices. there are 2 identical machines and each can sequence Trigger/Volume, Filter Cutoff, the Wave Index (which of the 126 loops in a bank will play) and which of the 16 Slices will play. This is a powerful and creative process which can yield surprising results. Furthermore, the Modulation Wheel is used to offset the current Wave Index for instantly remixing the Sequence, and it can also be used to find the most interesting variation and then by using the Set Wheel button store it to the sequencer..
Destiny features 11 Layers each of which contains a Singularity Synth which is also included as a 2nd Synth. The Layers can either be stacked into a Multi Layer Synth or used as a Multi-Timbral Sound Module. Each Synth has 2 Envelopes, 2 LFOs, a Sequencer which are assigned to Destinations via a Modulation Matrix.
Also included is Singularity which is made from a single Layer of Destiny. It still has 11 Layers but these are solely used for creating a great sounding Unison. Both Synths are preset compatible, although Singularity will convert Layer 1 to Unison Layers.
Singularity Lite is a fully fledged single oscillator Synthesizer which uses Raw Waveforms as the Oscillator. It has 2 Envelopes, 2 tempo clocked LFOs and a Sequencer which are all assigned through an extensive Modulation Matrix. Although Singularity is a single layer of Destiny, it still uses the 11 Layers as a Unison mode and so is good for Supersaw type sounds. All Presets can also be loaded into Destiny and vice versa.
There is also a version of Singularity that is included with Destiny, the only difference is that Singularity Lite uses a reduced number of Waveforms. Best of all, it’s free!
Augment began with the idea that it would be interesting to use Sequencers to manipulate Additive Partials in a rhythmic way, but it soon became apparent that it would be a much more interesting instrument using other waveforms as a huge 11 Layer Synthesizer. As a result Augment retains the additive mode but also uses 200 Waveforms which can be freely selected for each layer. The Waveforms are along the lines of PCM Synths of the past which have an Attack Section and a looped constant tone which works well as it allows the sounds to be more focused on Synthesis rather than sampling. The Attack Section can be disabled per Layer so they become pure tones.
As far as the Sequencing side of Augment goes, the intention was to have sounds which have highly rhythmic components which are locked to tempo. The idea that you have a Pad which will come alive with rhythmic complexity when played alongside other Rhythmic sounds was at the forefront of the design. The Sequence destination are Filter, Volume, Drive and Pan. All sequencers are monophonic with the exception of the Volume Sequencers which are Polyphonic.
Movement has been updated to v1.4 and is available to download from the usual place. It fixes an error where bank 4 was pointing to the wrong Samples. It won’t affect existing projects, but just in case the original is in the ‘Old Version’ folder should it be needed.